After the book was published in 2006, Elizabeth Strout said this:

“As a storyteller, I don’t think it’s my job to pass judgment on the people whose lives I imagine and record.”

I think it totally sums up her writing.  Her amazing capacity to create characters that transcends descriptions because they’re so real and deep that to call them ‘normal, ordinary people seems wrong because none of us is ordinary, none of us is normal… we’re all individual, all different, all worth it to be talked about in a novel.

This book about the crisis of faith of a young priest.  About his grief after the tragic death of his young wife.  About love: between people, between man and god, between father and daughters and husband and wife.  Friendship, envy, loneliness, pride, fear, acceptance, trauma.  About a New England that is more than golden maple leaves but it’s cold, frozen winters that last forever.  About a 1950’s small town America on the verge of change but still anchored in its past and traditions.

All this told in Strout masterful, measured, gentle but powerful.  Not much actually happens on the outside, but internally, in each character that is where the story develops.  Lines that punch you in the stomach appear from nowhere, you almost miss them till you realise you’re suddenly breathless.

And at the end… there’s no redemption or choir of angels or kodak moments… just life.  And sometimes life is good.

From the outside it should be a very nothing of a book: grieving widowed priest struggles to cope.  But it’s totally compelling.

‘Abide with me’ is Strout second novel and I do feel that her language is much more ‘wordy’ than her latest work, for example ‘My name is Lucy Barton’… but still totally amazing.

She’s easily reached the top in my favourite writers’ list.

Go read it now.

What are you waiting for?

The American edition.

The following quilts all came from across the pond so to speak.  I believe they were the best in show, well a selection of… there were a few more but they were displayed in the darkest booth and some of my photos were awful so apologies for the omission.

Also – moaning alert! – they weren’t given any name tag and some were distinctively un-iron/creased.  C’mon Birmingham, you can do better than that!!

I’ve had to do a little bit of digging so if I got names/quilts wrong please let me know and I’ll put things right.  (For example, if you know who made the gorgeous quilt on the main page I’d be very grateful)

Warp and Weft by Meadow Mist Design

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The ground she moves, flies by Kari Anderson

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The Egg by Hilary Goodwin and Rachael Dorr

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Die Beem by Lindsey Neill

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Cabana quilt by Sheri Cifaldi-Morrill

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Lincoln by Kim Smith Soper

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Another inspiring body of work that set my mind spinning in all sort of directions (in a good way… not like when I enter my eldest room and see the state it’s in…) was the booth of Victoria Findlay Wolf.

Her modern interpretation of traditional quilting patterns is just wonderful.

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I’ve left the show bamboozled by the number of people but really inspired to get going, and that’s what it’s all about right?

The Birmingham International Festival of Quilts is a real summer treat.  I’ve been going for years… including one year I was so pregnant everybody was given me worried looks and followed my with a mop and bucket just in case, (In actual fact I wasn’t that close to the due date… I was just humongous).  But I’m getting distracted.

For the first time I decided to attend on the first day.

Oh Lord.

Don’t.

S.O.  M.A.N.Y. P.E.O.P.L.E.

Too many as a matter of fact.  It wasn’t enjoyable and I didn’t get to see everything and the things I saw were hurried and everybody seemed frenzied and it was hot and it almost didn’t feel safe.  Now I know quilters are not prone to stampedes and the likelihood of an ’emergency’ in a quilt show is pretty rare (and there were plenty of emergency exits)… but it did feel like there were too many people for the space.

Also the shopping was kind of mixed with the display stands (not a good idea in my view) and the lighting… don’t let me start of the lighting.

Aaaaanyway, end of rant.  What I did get to see I really enjoyed, I though the standard was better than other previous years and I wish I could go back again and take it a little easier.

I took very few photos as well… because of all the above, which I’m a tad annoyed about.

As soon as I entered I made a beeline for the exhibition curated by Nancy Crow called “Sustaining Momentum”.  I think her idea was to invite artist to submit three pieces of work around an idea and how it evolved for them.  At least this is what I understood it to be.  In Birmingham they only showed one work per artist but they were amazing.

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(Margaret Boys Wolf – Screens No 20)

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(Kit Vincent – Tricolor white)

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(Heide Stoll Weber – Shapes and Line 34)

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(Helen McBride Richter – … on the everlasting…)

I got told off for taking photographs… so I stopped but there were other beautiful quilts and on youtube you can find short videos by all the artists involved in this exhibition in which they talk about their work.  Very interesting.

Another exhibition I particularly liked was by Jean Wells:  Intuitive colour and design.

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As you can see I was quite taken by abstract quilts yesterday… and the next artist really has taken ‘abstract’ to the next level.

Diana Harrison:  traces in cloth.

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I found her work strangely mesmerising.

 

Ok, the ironing board is calling me and I need to bake two cakes for tonight…, more quilts  tomorrow!)

 

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I have plenty of knitting/crochet patterns in my Ravelry library… everytime I see something I like I click on the link and, let’s be honest, most of the time they end up sitting there, ignored till the day I can’t remember why I saved them in the first place and I would like to delete them because I know, down deep – actually not that deep – that I will never knit them.  Ever.

(Does anybody know how to delete patterns from the Revelry library?)

Occasionally on the other hand I stumble across a pattern that has to be knitted straight away.  Has to.  Stop everything,  don’t feed the children, ignore the dog and the husband… just knit, knit, knit…

Like this one.

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I can’t really explain what it is.  Yes the shape, yes the drape, but … I just had to do it.

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The pattern is called ‘Ranunculus’ by Midori Hirose and you can find it here.  I used the recommended yarn (for once) GB Garn Tussah Tweed (which is a very soft tweedy silk in fingering weight) and you only need two skeins.

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I didn’t find it the easiest of patterns to follow but there are links to many videos that explain the various techniques and on that front it was brilliant.  I learned loads.

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The yarn … was anything like I’d used before.  Soft and warm and even though it feels fragile it’s not.  I loved the slightly irregular thickness…. Once blocked (perhaps a tad too aggressively on my part) it became really drapey.  And so so light.  This little jumper weighs nothing.

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Shame the weather is not playing ball at the moment… it might have to be put away till next summer.

 

 

Sigh.

 

 

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Yesterday I got up nice and early (actually it was only early… not nice at all in all honesty, still suffering from this wretched jet lag) and drove to North London to spend a day learning new techniques from the one and only Anna Maria Horner.

The workshop took place at ‘The Village Haberdashery, a gorgeous shop in North London I’ve been meaning to visit for a long time.

So first up a few shots of the shop to whet your appetite  (for years I thought it was ‘wet’ your appetite.. like having an aperitif before eating… doh!) (you have to admit my explanation did make a little bit of sense though…).

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Anna Maria lives in Nashville and is in the country to promote her new fabric range.

I didn’t take that many photos during the day, I was having too much fun to be honest… I learned a couple of excellent new to me techniques which I can’t wait to use and have opened a new world of quilting/patchwork possibilities (knowledge is power!).

I finally know what to do to my ‘Nashville Star’ quilt that’s been hanging around for literally years and had always looked kind of not finished to me, I also met a bunch of really lovely people from all over the world and Anna Maria was totally charming.  Just as you think she would be.

Her beautiful ‘Travelling blooms’ Quilt which was the foundation of the workshop:

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Anna Maria and Charlotte Newland (super lovely and smart, just as she appeared on TV)

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and this is my work in progress… I can see a lot of hand sewing in my near future… just as well we’re only on Series 3 of House of Cards…

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The day flew by and and I think I smiled all the way home.  Not even the horrid traffic on the North Circular could damp my spirits.

 

AND the Festival of Quilts is on in Birmingham at the end of the week… geesh… you might as well call it Christmas time…

 

 

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Who doesn’t love a good reclamation yard?

When Mr M dragged my out of bed this morning to keep him company I might have winged a little (in my excuse I was hungry… I’m never good before breakfast).

We visited Ronson Reclamation in Gloucester.

We had a little mission but mostly we just looked around … it’s a place full of treasures.

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(that gate… sigh…)

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I bought a basket… and a little gravy boat that will become a planter… we had to leave that wonderful gate behind because we really don’t need a gate… sigh… and had a wonderful time.

Reclamation yards always make me want to buy a ramshackle old house and making it all good again using ‘old’ things.  Old fireplaces and tiles and furniture and tiles and chimneys and old statues and fountains and weird pipes and all sorts of details.

And a beautiful wrought iron gate.

 

(Seriously though.  Go check this place out)

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It’s early morning, husband and first child have gone to work, the dishwasher is whirring in the dark corner of the kitchen, the dog is asleep on the sofa.  It’s raining hard and I have four guests asleep downstairs and two boys asleep upstairs.

I have coffee.

I like these quiet grey mornings.

After the few frantic post-vacations days today stretches rather lazily ahead … mundane chores, no errands, a little ironing…. perhaps a friend popping in for a cup of tea… it does sound good, doesn’t it?

The friends we are hosting have two gorgeous little children, it was such a treat to hold a baby again… a smily happy baby… oh how my ovaries twitched!  You should have seen the look Mr M gave me… “don’t you get any ideas now”…

Anyway,  I made him a quilt.  The baby, not Mr M.

A scrappy/I spy type quilt… because every child should have one.  By law.

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And it felt really good to be sewing again after quite a long hiatus…

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A lot of the fabric remind me of old projects I’d made for the my boys through the years and it’s actually like a trip-down-memory-lane quilt too.

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The back is made once again using my favourite backing fabric… from IKEA.  I wonder if I’ll ever get tired of it.

 

 

 

 

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Ok, indulge me a little bit more then I’ll change the subject.  Pinky swear.

(don’t ask)

If you’re a reader of this blog you might remember than a few weeks ago, when in San Francisco Mr M and I dragged our children to the De Young Museum to see the Summer of Love exhibition.  (Very interesting by the way).

Naturally a lot of floor space was given to clothes and surprisingly – and I don’t know why I was surprised really – there was a lot of crochet and one name in particular kept coming up: Brigitta Bjerke, who designed under her label: 100% Birgitta.

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Such a groovy cardigan… reminds of Scooby Doo somehow…

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And this is a wedding dress…

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… and this.. well.. not my style but fun right?  (Imagine showing up at my boys’ rugby match in it?… maybe not!)

It’s hard to find anything about her on the internet.  There is someone with that name who is a costume designer in Hollywood currently but no other biographic notes at all.  A few years ago there was an exhibit of her work in Durango and you can read the small article about it here.  She made coats for Roger Daltrey (The Who dude!!!) people… they must have been something else…

Fascinating.

I’d like to know more about her… if you do know where I can find books/catalogue of the exhibition anything, please let me know!

One of my favourite piece was this bedspread:

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She was asked to make it by Frankie Azzara, girlfriend of the Grateful Dead guitarist Bob Weir.  The couple split up before it was finished and so Bjerke kept it herself.

Isn’t it amazing?

Ok, I’m not a huge fan (at all) of squeaky yarn but you have to admire the hooking skills!

 

 

 

 

 

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I have a confession to make.

I didn’t take any projects with me on holiday.  No crochet, no knitting, no hand sewing.  Nothing.

For the first time in years I was empty handed.

And you know what? I’m glad I did… my hands needed a rest.  My brain needed my hands to rest, and it felt really good.  Strange, but good.

We’ve had such busy months leading up to our holiday that a break was just the ticket.

Towards the end I was getting a little twitchy but I was glad I’d taken a step back and thought about what I really want to do rather than simply grabbing yarn for another shawl or another pair of socks just because they’re portable projects.  I don’t need another pair of hand knitted socks … do yo know what I mean?  I mean… I do, but I’d like to challenge myself to learn new techniques and I can’t do when moving from place to place every few days and without time to really stop and think and learn.

This doesn’t mean that I didn’t try to visit a yarn shop when in LA… weirdly, although there were people working there and it was full of yarn they refused to sell it to me because they had moved to online sale only.  Ahem… I am here?  I have cash to splash?? Nope.  They said no.  Bizarre.

What I found myself surrounded by though was ‘crochet’.

It seems everywhere… from Anthropologie:

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to the well stocked vintage stores in Bakersfield (we spent a couple of hours… but could have easily spent all day!)

I found this great book for a few dollars

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that clearly shows that aside from the dates photography… nothing has really changed

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update the yarn and the setting and you have yourself a cool, contemporary crochet book.

There were plenty of crochet ‘things’ in the shops: bed spreads (so tempting.. no space in the suitcase unfortunately)

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aprons

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pot holders…IMG_6022IMG_6033

including this intriguing trivet made out of what seemed crochet covered bottle caps

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My crochet juices were flowing… I might get have to raise my hooking skills up a notch…

 

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